I know quite a bit of time has slipped by since I last posted, when I promised to give my take on the book THINGS HAVE ONLY GOTTEN WORSE SINCE WE LAST SPOKE, AND OTHER MISFORTUNES, by Eric LaRocca.
Part of that has been just plain old procrastination, a particular skill I have spent years developing. The other part is that I've been a little unsure how to describe this work.
First, it's not a novel, but a collection – a novella, a longish short story, then a small short story. I enjoyed this particular aspect of the book, or collection, simply because it's so rare today. In the modern book world, at least among the big boys of the traditional publishing world (and the wanna-be big boys), it's uncommon to see a book published that doesn't hit the prescribed word length for a novel. That length is different in the different genres – horror is generally around 80,000 words, I believe – but long gone are the days when a novella, or a novella with a couple of short stories, were regular finds at a book store.
So I was immediately drawn to this one as a simple nod to my younger days, when I would pick up these types of books at stores or library sales.
Now for the content.
Wow.
The first tale, the novella “Things Have Only Gotten Worse Since We Last Spoke,” is one of the most exciting macabre stories I've ready in years! (And I never, ever do exclamation points – at the paper where I'm editor, I've always told my writers they are allowed one exclamation point a year, and even then they better be ready to justify it when I ask).
There is a Six Sense-level ending to this one.
The story is engaging, set back in the early days of the internet when folks could communicate with one another through rudimentary chat services. That's what's going on here, when two women meet by chance in the virtual world. One of them, a needy and lonely individual named Agnes, has resorted to selling a family heirloom, an apple peeler, to raise some much-needed money to pay her bills.
She comes across Zoe, a woman of means who is interested in the peeler. She appears to be a kind-hearted soul, going so far as to tell Agnes to keep the peeler – which has great sentimental value to Agnes -- while at the same time extending financial support to Agnes. From there grows a tangled, increasingly perverse relationship that eventually ends with...well, I won't spoil the work, because this is absolutely stunning at the end. Like the aforementioned Six Sense movie, the final line just stopped me in my tracks. It's the kind of ending I didn't see coming yet when it happened in the instant I finished reading, I could see every clue, every marker pointing to how this was going to play out – things that I should have picked up earlier.
I didn't, and that's because LaRocca does an exceptional job of story telling, building characters and weaving their lives together in a way that draws the reader in, yet doesn't give away too much. This one story made the entire book worth it.
The second tale, “The Enchantment,” is centered on a couple grieving the loss of their son, at some point in the not-too-distant future when science has supposedly proven, beyond any doubt, there is no after-life: Whatever we get here on earth is the whole ball of wax.
As part of their grieving process, the couple takes a position on a resort island as caretakers during the off season. Not long after everyone else packs up and leaves, a stranger – a young man not much older than their late son – shows up, and their life is thrown into turmoil. Soon enough, they begin to learn that science may not be right, and the afterlife may not be all they had hoped.
For me, this story was a study in story-telling. It was an extremely well written tale, an engaging story with building conflict that kept me turning the pages. For my money, the ending left me a little flat, but that was just me – most reviews I've read rave about this one as much as first story.
The third tale, “You'll Find It's Like That All Over,” was a fun little examination of the dangers of being too polite just for the sake of being polite (or maybe just for the sake of appearances), and the dangers of getting caught up in an escalating series of bets by the protagonist, known simply as Mr. Fowler. He finds what appears to be the fragment of a bone in his yard, which leads him to his neighbor's house, Mr. Perlzig. The neighbor turns out to be a master manipulator, who leads Mr. Fowler down a path of increasingly lucrative, but dangerous, bets. I won't tell you how this ends, but I will say there is a guillotine put to use before the story concludes.
All in all, this was an enjoyable book. The second and third tales
were good reads, but that first one was fantastic. As if you couldn't
already figure this one out, I would recommend you grab a copy of
this and get to reading!